Why dracula is so popular

Stoker also, arguably, changed the way that vampires have been portrayed since his book was released, as the Irish author introduced a number of different rituals and characteristics that are widely associated with Count Dracula and other portrayals of vampire characters.

Some of the first rituals to have featured in the book included the use of garlic as a way of repelling a vampire attack, whilst his novel also introduced the idea that vampires would bite the neck of someone and feed on the blood that can be sucked from them to give them power.

Indeed, many of those rituals and characteristics are synonymous with the vampire theme and are how many will instantly think of the character. Bram Stoker created the character in his novel Indeed, Dracula was the title character of the book that was written by Bram Stoker in and has origins in Romania, with the Bran Castle having been used as the centrepiece for the novel.

Stoker provided the characteristics and rituals vampires are known by today Stoker also, arguably, changed the way that vampires have been portrayed since his book was released, as the Irish author introduced a number of different rituals and characteristics that are widely associated with Count Dracula and other portrayals of vampire characters.

In the past two-hundred or so years, vampires have transformed from a sort of worst nightmare into the charming hero of our dreams. MORE ». Jekyll and Mr. Hyde are all "Democratic Age" From a very young age, women are taught to suppress their sexuality. Sex, we are told, is deeply personal; a private act that must be sequestered within the four walls of a bedroom and never see the light of day. However, as we grow up we are steeped in a culture of sex that permeates Western society.

Gyrating hips in music videos It is tempting to classify literary, cinematic, and historical characters into groups. The trouble, of course, is that such labels can be misleading at best, and severely subjective and variable. When using terms such as hero, villain, anti-hero, anti-villain, or adventurer, it is important to remember how vague and movable the Follow IJ.

Latest in Literature Metaphysics. In this essay, I will analyze the structure of fiction, arguing that this structure is a duality that rests upon a spirit that defines and propels fiction in reality.

This spirit, which I refer to as the Other-than, is the metaphysical embodiment Read Article ». Fiction Metaphysics Other-than Dualism Imaginative.

American Literature. American Transcendentalism , despite having an amorphous and transient lifespan, holds strong importance in American history: religious, philosophical, and literary. Not only did this movement approach societal and spiritual life with We are all witnesses. You see and are seen; you step in and step out. You brush your hair out of your face, out of the face of a friend, a lover.

Sometimes, you feel that the lock of hair is something more than the strands that compose it, and that Wisdom Cohesion Physicality Immateriality Epistemology. Gothic Literature. While this intrusion Often thought to be a recent development of pop culture, writers have been using biting clapbacks in response to criticism since antiquity. This essay will explore how poet and scholar Sir Philip Sidney effectively manipulated poetic devices in Ancient Greek Literature.

Justice in The Eumenides is established as an objective entity and it is in The Eumenides that it is solidified as a concept which has causal power over the material world. This metaphysical abstraction seeks to gain purchase through interpersonal English Literature. Indeed, one of the features that makes Dracula so successful is his tremendous adaptability—perhaps more than any other literary figure in recent memory, Count Dracula evolves to fit the prevailing ethos of the society depicting him.

Simply put, you can tell what your culture values by the way it portrays its Draculas. As Stoker knew, vampire lore had existed in many cultures throughout recorded history.

By the time Stoker took pen to paper with his creation, he had a long line of predecessors to build off. What made Dracula such a figure of horror, however, was not simply his appearance or his abilities; it was the way in which Stoker was able to use him to embody almost every fear and insecurity of the late Victorian British Empire. The novel Dracula was fairly well-regarded at its publication but not wildly popular; at the time, Stoker was probably still best known as the manager of the Lyceum Theater.

But when motion picture technology emerged, the lure of the vampire proved irresistible. The German director F. Ironically, though Florence Stoker sued successfully to have the film almost entirely destroyed, Nosferatu remains in essence if not in detail perhaps the most faithful adaptation of Dracula. After Nosferatu, however, film depictions of Dracula began to change. While not traditionally handsome, Lugosi combined an intense screen presence with a deliberate, heavily accented speech to create a Dracula who was almost as mesmerizing as he was repellant.

From the s on, vampire movies generally—and Dracula movies specifically—became a staple of cinemas. More importantly, directors and actors went the Lugosi route in representing the title character. From the s to the s, eras of more mainstream moral conservatism in film, the figure of Dracula was always distant and dangerous, yet all the more alluring for those very qualities.